Dead Ringers Critic Reviews

Metascore®:

85 =
Based upon 8 Critic Reviews
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USA Today | Mike ClarkAdd Critic to Favorites

An instant classic, an Oscar-worthy showcase for Jeremy Irons, and a tightrope ballet over dicey screen material… A subtle movie - and thus a disturbing one. Like “Vertigo,” “The Night of the Hunter,” “Repulsion” and a few others, it finds beauty in morbidity - then nags you to come back for a second dose. [23 Sept 1988]Read the full review

Los Angeles Times | Sheila BensonAdd Critic to Favorites

To think of a film this assured, this unified and this dizzyingly potent, you have to go back to "Blue Velvet." [22 Sept 1988]Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

For those who enjoy cinematic visits to other, darker worlds, this blood's for you. Watching Ringers is not unlike watching a critical operation -- unnerving but also enthralling. [23 Sept 1988]Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

What makes the performance(s) even better is that Mr. Irons invests these bizarre, potentially freakish characters with so much intelligence and so much real feeling. [23 Sept 1988, p.C10]Read the full review

Variety | Staff (Not Credited)Add Critic to Favorites

Cronenberg handles his usual fondness for gore in muted style.Read the full review

San Francisco Chronicle | Peter StackAdd Critic to Favorites

A little abhorrent yet strangely appealing. I found it arty and pretentious, but still couldn't turn my eyes away from its almost hypnotic coolness and fascinating psychological horrors. [23 Sept 1988]Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

The movie is really almost tasteful considering [Cronenberg’s] stomach-churning capacities. He always does it for a higher purpose, though, which is why his films sometimes win wider audiences. This one probably won't cross over, because it's too queasy. [23 Sept 1988]Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The secret may be that Cronenberg approaches his trashy material with the objectivity of a scientist; it is his detached, cold style that makes the material creepy instead of simply sensational.Read the full review

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