Desperado (1995) Critic Reviews

Metascore®:

53 =
Based upon 11 Critic Reviews
See all Desperado (1995) reviews at
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Washington Post | Desson ThomsonAdd Critic to Favorites

The commercial transition has been remarkably successful. This is primarily thanks to Rodriguez, who not only retains the original movie's kinetic flair, but takes it further.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The stunts dazzle until you miss the low-key charm and cost-conscious inventiveness of the original. Desperado is best when Rodriguez lets his playful side cut through the blare of a born filmmaker indulging his first chance at high-end Hollywood fireworks.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The camera loves Banderas -- a velvet stud -- as much as it did the young Clint Eastwood.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Nothing but set pieces, snoozes between its scenes of carnage.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

I was pleased again and again by set-ups, camera angles, lighting effects, editing rhythms and the fanciful staging of action scenes. But I never for a moment cared about the characters, and the plot was all too conveniently structured - just a guideline to the action.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Search for some independent inspiration, and you'll be looking for a long time.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The real problem with Desperado, however, is that this sequel is without purpose and may be the most unnecessary follow-up since the second "Crocodile Dundee."Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

Desperado also has some entertaining twists, some sexy goings-on, but on the whole, watching the film is about as much fun as sitting on a cactus.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Could scarcely be more dazzling on a purely visual level, but it's mortally anemic in the story, character and thematic departments.Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

Like "The Quick and the Dead," Desperado wavers uneasily between myth making and parody, so that too many scenes drag on long after they've lost their punch.Read the full review

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