Doubt Critic Reviews

Metascore®:

76 =
Based upon 14 Critic Reviews
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Boston Globe | Wesley MorrisAdd Critic to Favorites

As a consideration of faith and propriety, the movie never managed to boil my blood or break my heart.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Doubt has exact and merciless writing, powerful performances and timeless relevance. It causes us to start thinking with the first shot, and we never stop. Think how rare that is in a film.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Shanley turns out to have dismayingly few original cinematic notions to back up the basic did-he-or-didn't-he hook in his study of conviction and compassion.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Shanley seems to have lost a certain amount of faith in what he'd written. As a director he's ended up pushing the drama harder than he needs to. He hasn't done anything fatal, but he has tampered with and hampered it.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

An intellectually and emotionally exhausting and engrossing experience. It is drama of the highest caliber.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

You may have doubts about which side to choose, but there's no doubt about this mind-bender. It'll pin you to your seat.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

There seems to be something about the story itself that's better suited to the stage than the screen.Read the full review

Slate | Dana StevensAdd Critic to Favorites

Cinematically, Doubt is something of a dud. But if it remains a play, it's an ingeniously structured one, with smart, thought-provoking words spoken by fabulous actors, and how often do most of us get to see one of those, whether in three dimensions or two?Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

The film is nothing if not provocative.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

Mainstream moviemaking, with its commercial directives and slavish attachment to narrative codes isn't particularly hospitable to ambiguity...which may help explain why Mr. Shanley's film feels caught between two mediums and why Ms. Streep appears to be in a Gothic horror thriller while everyone else looks and sounds closer to life or at least dramatic realism.Read the full review

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