Doubt Critic Reviews

Metascore®:

76 =
Based upon 14 Critic Reviews
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Washington Post | Ann HornadayAdd Critic to Favorites

Just when you begin to think you know who the cat and mouse really are, in steps Viola Davis to steal not just her scene but the entire movie from Streep.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

By eloquently probing the state of uncertainty and its accompanying discomfort and confusion, Doubt compels viewers to examine their own assumptions as they become caught up in this fascinating tale.Read the full review

Slate | Dana StevensAdd Critic to Favorites

Cinematically, Doubt is something of a dud. But if it remains a play, it's an ingeniously structured one, with smart, thought-provoking words spoken by fabulous actors, and how often do most of us get to see one of those, whether in three dimensions or two?Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

An intellectually and emotionally exhausting and engrossing experience. It is drama of the highest caliber.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Doubt leaves none in one respect: John Patrick Shanley was the right person to direct this fascinating screen version of his celebrated play.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Shanley seems to have lost a certain amount of faith in what he'd written. As a director he's ended up pushing the drama harder than he needs to. He hasn't done anything fatal, but he has tampered with and hampered it.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

The film is nothing if not provocative.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Shanley turns out to have dismayingly few original cinematic notions to back up the basic did-he-or-didn't-he hook in his study of conviction and compassion.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

Mainstream moviemaking, with its commercial directives and slavish attachment to narrative codes isn't particularly hospitable to ambiguity...which may help explain why Mr. Shanley's film feels caught between two mediums and why Ms. Streep appears to be in a Gothic horror thriller while everyone else looks and sounds closer to life or at least dramatic realism.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

There seems to be something about the story itself that's better suited to the stage than the screen.Read the full review

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