Driving Lessons Critic Reviews

Metascore®:

59 =
Based upon 9 Critic Reviews
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San Francisco Chronicle | Ruthe SteinAdd Critic to Favorites

With the aid of a charmingly offbeat story and a jolly good dialect coach, the stars leave you thinking, well done. Their spirited performances help cover up glaring holes in the plot.Read the full review

Variety | Ronnie ScheibAdd Critic to Favorites

Basically conservative yet titillatingly "eccentric" British laffer could succeed in the "Full Monty" import slot.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

The screwball aging diva genre isn't the only formula guiding this stubbornly old-fashioned movie. Driving Lessons belongs to the silly feel-good mode of "The Full Monty," "Calendar Girls," "Billy Elliot," "Kinky Boots" and dozens of other celebrations of Britons defying convention to become "free," whatever that means.Read the full review

Los Angeles Times | Gene SeymourAdd Critic to Favorites

Driving Lessons follows the well-worn path laid down by other, better movies while making strained, ludicrous things happen toward the end.Read the full review

The Hollywood Reporter | Sheri LindenAdd Critic to Favorites

Aiming for wacky and heartwarming, the film is, at its sporadic best, a mildly diverting coming-of-age story. At its worst, it feels forced.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

Everybody in the movie is so tightly wound that Walters seems a model of actorly limberness. She cuts through the movie with speed and mannish, zany wit.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

There is but one reason to sign up for Driving Lessons: to watch Rupert Grint -- Harry Potter's redheaded pal Ron Weasley -- squaring off with Julie Walters, Queen of the English Scenery Chewers.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

This coming-of-age movie, is a clumsy contraption, but it's nice to see Rupert Grint coming out from under that colorful thatch, and coming, not a moment too soon, into an appealing pre-maturity.Read the full review

Entertainment Weekly | Gregory KirshlingAdd Critic to Favorites

Linney is too sensitive and capable an actress to play a stock villain like this. That everyone in the movie dislikes her makes you dislike everyone in the movie.Read the full review

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