Duplicity (2009) Critic Reviews

Metascore®:

74 =
Based upon 14 Critic Reviews
See all Duplicity (2009) reviews at
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The New York Times | A.O. ScottAdd Critic to Favorites

Superior entertainment, the most elegantly pleasurable movie of its kind to come around in a very long time.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

A throwback to the days of old-school caper movies like "To Catch a Thief," Duplicity is just the kind of sophisticated amusement you would expect from filmmaker Tony Gilroy.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Smart, droll and dazzling to look at and listen to, writer-director Tony Gilroy's effervescent, intricately plotted puzzler proves in every way superior to his 2007 success "Michael Clayton."Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

So with its smart writing delivered by an in-synch quartet, savor Duplicity as the ideal spring gift.Read the full review

Washington Post | Dan KoisAdd Critic to Favorites

It's smart, it's for grown-ups and it lets Julia Roberts laugh, if just once.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

The movie is fun, with plenty of intrigue and suspense that will have audiences clutching at their arm rests.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The movie resembles Mad magazine's "Spy vs. Spy" series, elevated to labyrinthine levels of complexity.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

Duplicity so thoroughly equates sex and money that, in a manner apt for a recession, the audience is rewired when it's over. You don't care whether they love each other. You just want to see them paid.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Duplicity doesn't have depth -- but it does have Julia Roberts, in full Hollywood movie-star mode.Read the full review

Slate | Dana StevensAdd Critic to Favorites

There are so many leaps back and forth in time, so many twists and countertwists and double fake-outs, that we keep losing track of who (including ourselves) is supposed to know what when.Read the full review

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