Election Critic Reviews

Metascore®:

91 =
Based upon 13 Critic Reviews
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Slate | David EdelsteinAdd Critic to Favorites

American satire rarely comes more winning than Election, an exuberantly caustic comedy that shows the symbiotic relationship between political go-get-'em-ism and moral backsliding.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

The satire of the season, a hilarious, razor-sharp indictment of the American Dream.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Election has the sharpest satire of any teen movie made in years. Like the best lampoons, it attacks by exaggerating reality ever-so-slightly and targeting a broad range of subjects.Read the full review

The New York Times | Janet MaslinAdd Critic to Favorites

Election is a deft dark comedy with a resemblance to "Rushmore." It's smart no matter what.Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

An invigoratingly mordant comedy that proves that Alexander Payne's rambunctious debut, "Citizen Ruth," was no fluke.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

This is a nearly flawless little film, a cheerful nightmare that knows just where it wants to go and uses precisely calibrated comic effects to get there.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Alexander Payne's scathing, subtle, and complexly funny tragicomedy builds a perfect, off-kilter universe--it's a first cousin to "Rushmore."Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

The screenplay by Payne and Jim Taylor, based on the novel by Tom Perrotta, sees the lives of these suburban students and teachers through a prism of absurdity that refracts more truth than any straightforward telling.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Alexander Payne is a director whose satire is omnidirectional. He doesn't choose an easy target and march on it. He stands in the middle of his story and attacks on all directions.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

Witherspoon's broad, obsessive comic performance is bound to get the most attention, but Broderick does the best work of his career, finding an affecting spot between the all-purpose defiance of Ferris Bueller and the put-upon foil of his recent work.Read the full review

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