Eraser Critic Reviews

Metascore®:

61 =
Based upon 10 Critic Reviews
See all Eraser reviews at
Sorted by:
Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Eraser is more or less what you expect, two hours of mindless nonstop high-tech action, with preposterous situations, a body count in the dozens, and Arnold introducing a new trademark line of dialogue (it's supposed to be "Trust me," but I think "You're luggage" will win on points).Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

And the guy is really good at his job: He knows how to combine impossibly macho action plus attractive self-amusement into a reliable rhythm of ooof! and wink-wink.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

The hero's feats are implausible even by action standards, but screenwriters Tony Puryear and Walon Green have concocted one of the summer's most spectacular action sequences.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

You're not watching anything original, you're just reexperiencing elements you've seen in a jillion other spectacles (including "Die Hard," "True Lies" and even "Mission: Impossible"), only with more heat, more crash, more burn.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

The middling result, diverting while it lasts but too silly to recommend, is merely this week's funhouse action pic. [21 Jun 1996 Pg.01.D]Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

It takes the usual chases, explosions, and shoot-outs, and places them in plot that involves all sorts of computerized and electronic gadgetry. Often, as is the case here, not much attention is paid to whether the "science" is technologically feasible, but if something looks and sounds neat, why not use it?Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

It's the typical elements that make Eraser no more than a solid bit of fluff: This is one of those movies where good guys don't miss, and bad guys can't shoot to save their lives.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Compared with high-powered action specialists like James Cameron, director Charles Russell seems content to accomplish just one thing per shot, getting the essentials on the screen but creating no special dynamic or look.Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

Eraser means to show off the star's standard persona against a backdrop of lavish special effects, which is certainly a formula that's worked before. But this is no "Terminator," since its tricks are so much more arbitrary and over-the-top.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Eraser does have a few big-ticket stunts that hold the attention, but director Charles Russell, fresh from "The Mask," isn't able to infuse them with the intensity and believability that James Cameron brought to comparable sequences in "True Lies."Read the full review

Track Your Favorite Critics | Start Now