Even Cowgirls Get The Blues Critic Reviews
Metascore®:
Based upon 10 Critic ReviewsHighest Rated
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Campbell and Edwards work wonders with the rocky, wide-open Oregon landscape, but none of their periwinkle-blue skies and sparkling shots of whooping cranes in flight can compensate for a film that aims high, means well, and ultimately fails its audience. [20 May 1994]Read the full review
Pic stays on the surface, without attempting any exploration of painful depths. Result is at best amusing; at worst, uninvolving, often confusing, and sometimes a little boring.Read the full review
One of the many problems with Gus Van Sant's tortured, worked-over Even Cowgirls Get the Blues is that Sissy Hankshaw talks like a novel, and a dated one at that.Read the full review
Loaded as it is with undeveloped notions about feminism and individuality, nothing about it is really memorable except the appealing musicality of the fine k.d. lang/Ben Mink score, which deserves better. [20 May 1994]Read the full review
Van Sant winds up with disconnected, dispirited pieces that never come together and lift off the screen with a whoosh of sly high spirits. [20 May 1994]Read the full review
Even Cowgirls Get the Blues is one of the more empty, pointless, baffling films I can remember, and the experience of viewing it is an exercise in nothingness.Read the full review
Even Cowgirls is as close to an unwatchable film as there is available at this time in the theaters.Read the full review
Saddled with leaden lead performances, hobbled by an arch, incoherent script and pokey pacing, the new, improved Cowgirls is a miscarriage - misconceived, miscast, miserably boring.Read the full review
Even Cowgirls Get the Blues the movie, starring Uma Thurman, is a moribund, monotonous affair.Read the full review
Cowgirls, a flaky-surreal adaptation of Tom Robbins' 1976 feminist hipster road novel, finds the director of "Drugstore Cowboy" and "My Own Private Idaho" lost in the ozone of his own private whimsies.Read the full review