Everything is Illuminated Critic Reviews

Metascore®:

65 =
Based upon 15 Critic Reviews
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Boston Globe | Ty BurrAdd Critic to Favorites

Everything Is Illuminated hasn't been adapted so much as gutted, stuffed, and mounted.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

A film that grows in reflection. The first time I saw it, I was hurtling down the tracks of a goofy ethnic comedy when suddenly we entered dark and dangerous territory. I admired the film but did not sufficiently appreciate its arc.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

For one of those obstreperously original books that are themselves impossible to translate, Everything Is Illuminated is impressively well lit.Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

Schreiber takes Foer's sprawling, multilayered, multigenerational beast and hones it into a post-Glasnost buddy picture; a polished nugget of a road movie, focused mainly on Alex and Jonathan's growing sense of identification with each other and with their origins.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

This movie is sloppy and disjointed - an unsatisfying melodrama built upon a shaky foundation of contrivances, coincidences, and plot holes.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Wood, whose mostly mute turn is defined by his black suit and glasses, can only stare in stupefaction at Schreiber's jittery mix of broad laughs and sentiment. Audiences will share the feeling.Read the full review

San Francisco Chronicle | G. Allen JohnsonAdd Critic to Favorites

An almost screwball comedy that turns serious.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

Everything Is Illuminated is not a fiasco, but in some ways I'd have preferred a fiasco—something overreaching and inchoate instead of this self-consciously artistic mood piece.Read the full review

The Hollywood Reporter | Michael RechtshaffenAdd Critic to Favorites

Leave it to Liev: Schreiber capably adds writer-director to his impressive resume with this winning take on the Jonathan Safran Foer novel.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

Taken on its own, without comparison with its literary source, the movie, Mr. Schreiber's first as writer and director, is thin and soft, whimsical when it should be darkly funny and poignant when it should be devastating.Read the full review

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