Fahrenheit 9/11 Critic Reviews

Metascore®:

71 =
Based upon 16 Critic Reviews
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San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Assessing the merits of a political film is a tricky business. Obviously, its quality is partly a function of its power to persuade, but its persuasiveness is in the eye of the beholder. Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

A compelling, persuasive film, at odds with the White House effort to present Bush as a strong leader.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

The documentary's scathing attack on the war in Iraq and George W. Bush's presidency is informative, provocative, frightening, compelling, funny, manipulative and, most of all, entertaining. Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Moore has marshaled what's on the record and off into a stinging indictment of where we're going. In a multiplex filled with Hollywood cotton candy, we need him more than ever.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Scalding and glib, derisive yet impassioned, Fahrenheit 9/11 is an intensely resonant piece of Bush-bashing, because it lets the president do most of the work.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Michael Moore in Fahrenheit 9/11 has launched an unapologetic attack, both savage and savvy, on an administration he feels has betrayed the best of America and done extensive damage in the world. Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

One last thought: Fahrenheit 9/11 is many things, but for pity's sake let's not call it a documentary.Read the full review

Washington Post | Ann HornadayAdd Critic to Favorites

In Fahrenheit 9/11, Moore largely stays out of the picture, and the film is the better for it. But otherwise his style hasn't changed.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

While Michael Moore's Fahrenheit 9/11 will be properly debated on the basis of its factual claims and cinematic techniques, it should first of all be appreciated as a high-spirited and unruly exercise in democratic self-expression. Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

As much as the jurors at this year's Cannes Film Festival insisted that the Palme D'Or was awarded to the best film in competition, it was a sign of the times that they chose to honor Michael Moore's Fahrenheit 9/11, marking a clear and decisive victory for ideology over aesthetics.Read the full review

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