Fahrenheit 9/11 Critic Reviews

Metascore®:

71 =
Based upon 16 Critic Reviews
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Washington Post | Ann HornadayAdd Critic to Favorites

In Fahrenheit 9/11, Moore largely stays out of the picture, and the film is the better for it. But otherwise his style hasn't changed.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

The documentary's scathing attack on the war in Iraq and George W. Bush's presidency is informative, provocative, frightening, compelling, funny, manipulative and, most of all, entertaining. Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

While Michael Moore's Fahrenheit 9/11 will be properly debated on the basis of its factual claims and cinematic techniques, it should first of all be appreciated as a high-spirited and unruly exercise in democratic self-expression. Read the full review

Slate | David EdelsteinAdd Critic to Favorites

It delighted me; it disgusted me. I celebrate it; I lament it. I'm sure of only one thing: that I don't trust anyone--pro or con--who doesn't feel a twinge of doubt about his or her responses. Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

A potential cultural juggernaut. Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The real problem with Fahrenheit 9/11 isn't that it attacks the current Republican administration, but that it does so clumsily and with poor focus. Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

At its best, Fahrenheit 9/11 is an impressionist burlesque of contemporary American politics that culminates in a somber lament for lives lost in Iraq. But the good stuff -- and there's some extremely good stuff -- keeps getting tainted by Mr. Moore's poison-camera penchant for drawing dark inferences from dubious evidence.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Michael Moore in Fahrenheit 9/11 has launched an unapologetic attack, both savage and savvy, on an administration he feels has betrayed the best of America and done extensive damage in the world. Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

Moore stays "on message" here from first shot to last. There is no debate, no analysis of facts or search for historical context. Moore simply wants to blame one man and his family for the situation in Iraq the United States now finds itself in…So the real question is not how good a film is Fahrenheit 9/11 -- it is undoubtedly Moore's weakest -- but will a film help to get a president fired?Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Assessing the merits of a political film is a tricky business. Obviously, its quality is partly a function of its power to persuade, but its persuasiveness is in the eye of the beholder. Read the full review

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