Far From Heaven Critic Reviews

Metascore®:

85 =
Based upon 13 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Julianne Moore, Dennis Quaid and Dennis Haysbert are called on to play characters whose instincts are wholly different from their own. By succeeding, they make their characters real, instead of stereotypes.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

It rediscovers the aching, desiring humanity in a genre -- and a period-- too often subjected to easy parody or ironic appropriation. In a word, it's divine.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

This is a love letter from one auteur to another that doesn't feel like a term paper. Instead, Far From Heaven is an honest-to-God drama with resonance all its own.Read the full review

Los Angeles Times | Manohla DargisAdd Critic to Favorites

The film's three leads are extraordinary, but what Moore does with her role is so beyond the parameters of what we call great acting that it nearly defies categorization.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Bold and brilliant.Read the full review

Variety | David RooneyAdd Critic to Favorites

An accomplished marriage of elaborate style and content.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

Haynes makes it possible to forget all the layers at work and simply be swept up in the story's emotions. As in Sirk's films, these characters live and breathe within the film's exaggerated reality, thanks to rich performances by Haysbert, Quaid, and especially Moore.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

Three sterling performances from Moore, Haysbert and Quaid, all of whom grapple with psychic pain in different, touching ways.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Begins almost as a nostalgic excursion, but quickly detours into a powerful and telling story that examines forbidden love, racial tension, and other issues that are as valid today as they were in the 1950s.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Glossy or not, the movie is unflinchingly tough-minded, down to its Hollywood-weepy ending, which, if you think about it, may be the year's gloomiest.Read the full review

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