Fatal Attraction Critic Reviews

Metascore®:

70 =
Based upon 9 Critic Reviews
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Washington Post | Hal HinsonAdd Critic to Favorites

This is a spectacularly well-made thriller. It is an odd thing, really -- the movie is sexy and at the same time a warning about the costs of sex.Read the full review

Variety | Staff (Not Credited)Add Critic to Favorites

The screws are tightened expertly in this suspenseful meller about a flipped-out femme who makes life hell for the married man who scorns her.Read the full review

Washington Post | Desson HoweAdd Critic to Favorites

Fatal Attraction rings the changes on your atavistic emotions. Walking out of the theater, you might have a sudden desire to club a woolly mammoth and hide your family in a dark cave -- away from people like Glenn Close.Read the full review

The New York Times | Janet MaslinAdd Critic to Favorites

Mr. Lyne takes a brilliantly manipulative approach to what might have been a humdrum subject and shapes a soap opera of exceptional power.Read the full review

San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

One of the most effective thrillers in years, Attraction did an excellent job of mixing its suspense with trendy issues of sexual paranoia and monogamy. [27 Dec 1987, p.19]Read the full review

Los Angeles Times | Michael WilmingtonAdd Critic to Favorites

Passion, obsession, mad love, the violent clash of insider and outsider-all these themes, plus the performances, are rich enough to carry us past that wounded climax, if not to carry the movie past the fatal attractions of the big box-office cliche. [18 Sep 1987, p.1]Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Fatal Attraction is a spellbinding psychological thriller that could have been a great movie if the filmmakers had not thrown character and plausibility to the winds in the last minutes to give us their version of a grown-up "Friday the 13th."Read the full review

Wall Street Journal | Julie SalamonAdd Critic to Favorites

Mr. Lyne is able to make things look the way they're supposed to look because he trained in the television-commercial world. But he has a hard time getting beneath the gloss. [17 Sep 1987, p.1]Read the full review

Boston Globe | Michael BlowenAdd Critic to Favorites

Adrian Lyne pulls out more manipulative nonsense than Machiavelli ever thought of. Lyne stops at nothing to provoke artificial sentimental feelings from the audience. Like the movie itself, the audience's reaction is only skin deep. [18 Sep 1987, p.58]Read the full review

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