Five Minutes of Heaven Critic Reviews

Metascore®:

67 =
Based upon 9 Critic Reviews
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Variety | Dennis HarveyAdd Critic to Favorites

Powerhouse performances by Liam Neeson and James Nesbit make this an intense, ultimately moving tale.Read the full review

The Onion (A.V. Club) | Sam AdamsAdd Critic to Favorites

Hirschbiegel fails to discipline his English-speaking cast, allowing Nesbitt so much rein with his caffeinated performance that sympathies shift to Neeson’s comparatively sanguine murderer.Read the full review

San Francisco Chronicle | Amy BiancolliAdd Critic to Favorites

An imperfect but intensely human movie that ponders the aftershock of violence, could have been an exercise in overacted sappiness. Instead, it's as hard and uncompromising as remorse.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

On balance, it's a good movie but not a great one. Probably the only reason it's getting North American distribution is because of the involvement of Liam Neeson.Read the full review

Los Angeles Times | Gary GoldsteinAdd Critic to Favorites

Ultimately, Five Minutes of Heaven is stronger as a whole than its individual parts. It's a well-performed piece that perhaps required a more calibrated hand than Hirschbiegel's proves here.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

A forceful Neeson and an even more intense Nesbitt (Bloody Sunday) both show their stuff and obscure the unrelieved pain endured by the men they portray.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

Five Minutes of Heaven’reduces Northern Ireland’s troubles to a gimmick, but it’s an interesting gimmick, and the two men hoisted on its petard work at vivid cross-purposes. If nothing else, the film’s worth seeing as a demonstration of opposing acting techniques.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

Based on a true story -- that never happened. That might explain why the film circles and circles its subject but never strikes dramatic pay dirt.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

A feature-length talkathon built on a sketchy premise, some unpersuasive psychology, a pinch of politics and strong star turns from Liam Neeson and James Nesbitt, the appeal of all those words runs out long before the director Oliver Hirschbiegel turns off the spigot.Read the full review

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