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Critic Reviews
Gitai's experimental technique in Free Zone is dizzying, sometimes thrilling.Full Review
Natalie Portman demonstrates tour de force weeping in the back of a taxi as an American searching for her roots in Israel.Full Review
A minor movie on a major subject, a drama with an almost unbearable lightness.Full Review
Amos Gitai's most satisfying pic since war drama "Kippur." Schematic set-up is given a human face by fine performances and a physical journey that's often more interesting than the characters' emotional ones, which are weakened by the Israeli auteur's tendency toward convenient doctrinaire-ism and chunks of expository dialogue.Full Review
Like a lot of Gita's films, Free Zone is part history, part allegory, and part art. Both the history and art hold their fascinations.Full Review
