Freeway (1996) Critic Reviews
Metascore®:
Based upon 7 Critic ReviewsHighest Rated
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Freeway is rude in the way the truth is rude -- only funnier. The movie seduces with its humor, all the while presenting a realized vision of a harsh, absurd world.Read the full review
It seems aimed at people who loved "Pulp Fiction'' and have strong stomachs. Like it or hate it (or both), you have to admire its skill, and the over-the-top virtuosity of Reese Witherspoon and Kiefer Sutherland as the girl and the wolf.Read the full review
Using black humor, blood, and a pair of tremendous performances, Freeway hones in on its targets and calculatedly skewers them one-by-one…This movie is both grimly funny and thought-provoking.Read the full review
Freeway is full of nice touches—such as making the villain a psychologist— that play off the expectations of a familiar story. While also working as a conventional thriller, its many twists on the fairy tale make it work on an almost subliminal level.Read the full review
Danny Elfman's intense score contributes crucial energy, John Thomas' camera work is first-rate, but the ambitious Freeway ends up merely trashy.Read the full review
Rather than seeming classic, Freeway appears to be another film maker showcase, a derivative apprentice work.Read the full review
Freeway is roadkill. The directorial debut of screenwriter Matthew Bright ("Gun Crazy") is a sophomoric and morally repellent mix of fractured fairy tale, juvenile social satire, bloody mayhem and overstated B-movie melodrama.Read the full review