French Kiss Critic Reviews

Metascore®:

55 =
Based upon 8 Critic Reviews
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San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Ryan's comic timing continues to delight, while Kline is touchingly heartfelt as a man doing what is evidently all too easy to do -- fall in love with Meg Ryan.Read the full review

Washington Post | Desson HoweAdd Critic to Favorites

Ryan secretes cuteness as if suffering from an overactive pituitary gland. And in Lawrence Kasdan's latest, she gives you nothing more or less than herself.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

The caper isn't as passionate as the title suggests—in fact, it's facile—but Ryan and Kevin Kline, as her attractive opposite, are irresistible together.Read the full review

Los Angeles Times | Peter RainerAdd Critic to Favorites

French Kiss tries to be a glass of pink champagne, but some of the fizz has gone out of the bottle. But director Lawrence Kasdan and screenwriter Adam Brooks cram so many potshots into the piece that, after a while, it makes you laugh anyway.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Kline's Frenchman is somehow not worldly enough, and Ryan's heroine never convinces us she ever loved her fiance in the first place. A movie about this kind of material either should be about people who feel true passion or should commit itself as a comedy. Compromise is pointless.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The delicate air of romance that often makes this sort of film worthwhile is absent. French Kiss does it by the numbers, not from the heart.Read the full review

The New York Times | Janet MaslinAdd Critic to Favorites

French Kiss may have a more putatively foolproof formula, but everyone here has done vastly more interesting work. Too much gets lost in translation.Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

French Kiss is a French miss. It's got the settings, but it has little magic, less charm and almost no chemistry between Meg Ryan's heartsick American innocent and Kevin Kline's shady Frenchman. [5 May 1995, p.57]Read the full review

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