Game 6 Critic Reviews

Metascore®:

66 =
Based upon 8 Critic Reviews
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Boston Globe | Ty BurrAdd Critic to Favorites

It's an inside-the-park home run -- a small, lovingly overwritten comic drama about fate, failure, and primal longing. To put it in words a Sox fan would understand, the movie hurts good.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

This is DeLillo's first produced screenplay, but he has written for the stage, and perhaps his portrait of Steven Schwimmer (Robert Downey Jr.), the detested critic, is drawn from life.Read the full review

San Francisco Chronicle | Leba HertzAdd Critic to Favorites

A quirky little comedy about one day in the life of a New York playwright on the brink of either greatness or failure.Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

Small and intimate, Game 6 is a meditation on American theater and the Great American Pastime that hovers above the surface of reality but never quite takes off, either.Read the full review

The Onion (A.V. Club) | Noel MurrayAdd Critic to Favorites

Hoffman makes impressive use of his low budget, thanks to a talented cast, an atmospheric soundtrack by Yo La Tengo, and the general feeling of confidence that a veteran director can bring to a project. But too much of Game 6 is designed to seem deeper than it really is.Read the full review

The Hollywood Reporter | James GreenbergAdd Critic to Favorites

It attempts to walk the fine line between despair and comedy, reality and imagination, and often succeeds. For audiences prepared to take the leap of faith and accept the unusual tone of the film, Game 6 should be a winner. Others may wonder what the fuss is about.Read the full review

The New York Times | Neil GenzlingerAdd Critic to Favorites

A tale of one man's meltdown that ought to have an expiration date of Oct. 27, 2004, stamped on every frame.Read the full review

Variety | Robert KoehlerAdd Critic to Favorites

Game 6, the first screenplay by one of America's great living novelists, Don DeLillo, is poorly served by Michael Hoffman's flat, soporific direction.Read the full review

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