Garage Days Critic Reviews

Metascore®:

56 =
Based upon 9 Critic Reviews
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The New York Times | A.O. ScottAdd Critic to Favorites

The end may be a bit of a letdown, but much of Garage Days is choice cuts indeed. Read the full review

Variety | David StrattonAdd Critic to Favorites

Visually inventive and refreshingly witty, pic provides an insider's look at the contempo Sydney music scene and showcases a smart young cast.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The movie is not in any sense a musical featuring this band (which, as nearly as I could tell, does not have a name). The soundtrack has a lot of music, freely selected from pop hits old and new, but the running gag is that the band never gets to play, and so we never get to hear it.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Though the storytelling is a bit lopsided, the slapdash quality is charming overall, and the movie benefits from colorful characters and a couple of hilarious scenes. Read the full review

Wall Street Journal | Collin LeveyAdd Critic to Favorites

What MTV's "The Real World" would be like if its characters admitted they were simply aspiring actors. Garage Days is more clever, more compelling and genuine. Read the full review

The Onion (A.V. Club) | Nathan RabinAdd Critic to Favorites

Proyas is a veteran music-video director, and for its first half the film feels like one long video, albeit in a good way. He initially lets music and images tell his story rather than words, but in its second half, Garage Days succumbs to its overreaching, convoluted plot.Read the full review

Los Angeles Times | Manohla DargisAdd Critic to Favorites

Like real indie films, garage bands are by definition rough around the edges, but what separates the true believers from the poseurs is their passion, their commitment -- and not just how cool they look on screen or on stage. A mainstream endeavor tricked out as an indie, Garage Days gives us plenty to look at but no reason to care. Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

The overall tone is one of mild Sex Pistols excess combined with Monkees-era high jinks. Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

There's something uniquely embarrassing about a rock & roll fable that is no more authentic (and no less coy) than an episode of ''The Monkees'' yet insists on presenting itself as the epitome of rebel-yell cool.Read the full review

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