Garden State Critic Reviews

Metascore®:

65 =
Based upon 16 Critic Reviews
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The Hollywood Reporter | Duane ByrgeAdd Critic to Favorites

Writer/director Zach Braff has threaded a powerful and intelligent personal story through a genre all too rare today – romantic comedy.Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

Garden State illuminates a young man's overdue coming of age with unexpected depth and grace. Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

This is not a perfect movie; it meanders and ambles and makes puzzling detours. But it's smart and unconventional, with a good eye for the perfect This is not a perfect movie; it meanders and ambles and makes puzzling detours. But it's smart and unconventional, with a good eye for the perfect detail.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

Though unlikely to have the lasting quality of "The Graduate," it feels a bit like that seminal film for today's generation. Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

It's a hilarious and heartfelt ode to twentysomething angst. Braff has himself a winner.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Certainly Garden State is a very American specimen of debut indie form, its loose, goof-about scenes of comic melancholy reinforced with the glue of quirkiness over cracks in the narrative development.Read the full review

Washington Post | Ann HornadayAdd Critic to Favorites

Garden State features some wonderful performances, chief among them an engaging, even courageous turn from Natalie Portman. Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

An edgy quasi-comedy, it's very funny in places, touching in others. There is a little unevenness. But for a directorial debut, it's amazingly assured. Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

Small, smart, off-kilter comedy.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

A standard issue, first-movie navel-gaze whose cobwebs Braff meticulously sweeps away by directing the bejesus out of it. The photography makes loveliness out of the film's dank, hung-over atmosphere; the camerawork and editing lend the movie a luscious daydreaminess. Read the full review

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