Ghosts of the Abyss Critic Reviews

Metascore®:

73 =
Based upon 9 Critic Reviews
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Boston Globe | Ty BurrAdd Critic to Favorites

It's a unique trip that flirts with hokeyness at the surface but that grows more compelling, awe-inspiring, and tragic the deeper you go. Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Despite over-ripe narration and an understandable urge to cram too much in, Ghosts of the Abyss is a thrilling documentary. Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Cameron wants to take the audience ''back to 'Titanic,''' but the journey's magic is hemmed in, paradoxically, by the transcendence of his previous effort; surely he must know that a lot of us never left.Read the full review

Variety | Robert KoehlerAdd Critic to Favorites

Though quite routine on the logistics of deep-sea exploring, pic develops a visual style as it replays the events of the sinking that some viewers may find more visually exciting and satisfying than what Cameron staged in his original mega-blockbuster. Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

If Cameron wants to be a pioneer instead of a retro hobbyist, he should obviously use Maxivision 48, which provides a picture of such startling clarity that it appears to be 3-D in the sense that the screen seems to open a transparent window on reality. Ghosts of the Abyss would have been incomparably more powerful in the process. Read the full review

The New York Times | Dave KehrAdd Critic to Favorites

Whether he's working in nonfiction or science fiction, Mr. Cameron remains an artist of great instinctive power. In Ghosts of the Abyss, he uses every means of probing that modern science has put at his disposal -- electronic, mechanical, sonic -- only to find that the tragic reality of the Titanic, its myths and its meanings, remain tantalizingly beyond his reach.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

The 3-D footage of Titanic does speak volumes, and sometimes the sheer fussiness of all the ghosts and archival images get in the way. As huge as the Imax screen is, when six different images vie for one's attention, it looks cluttered. Read the full review

San Francisco Chronicle | Carla MeyerAdd Critic to Favorites

Occasionally exciting but carefully controlled.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

If only there'd been a chance to contemplate the legend in blessed silence.Read the full review

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