Gigli Critic Reviews

Metascore®:

26 =
Based upon 16 Critic Reviews
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Boston Globe | Ty BurrAdd Critic to Favorites

An overlong, joyless, and inconsequential affair, full of dead air, and possessing only a few moments of jaw-dropping bad taste. It's a dull disaster. Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Lopez and Affleck are sweet and appealing in their performances; the buzz said they didn't have chemistry, but the buzz was wrong. What they don't have is conviction.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

A watchable bad movie, but it's far from your typical cookie-cutter blockbuster. There are no shoot-outs or car chases, and there isn't much romantic suspense, either. Read the full review

Los Angeles Times | Manohla DargisAdd Critic to Favorites

Nearly as unwatchable as it is unpronounceable.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Some of the dialogue is astonishingly awful. Sex and relationships are constantly likened to animal interaction.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The only people likely to get a kick out of Gigli -- the first screen teaming of Ben Affleck and Jennifer Lopez -- are Madonna and her director hubby Guy Ritchie. Finally there's a movie as jaw-droppingly awful as their "Swept Away." Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

The most thoroughly joyless and inept film of the year, and one of the worst of the decade. We're talking about a disaster, and not of the fun "Showgirls" variety, either.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

The movie is bafflingly boring and ridiculous. Its loginess is exacerbated by the pacing of the writer-director, Martin Brest.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

The film lacks a controlling point of view to guide an audience through so improbable a tale. Nothing in the movie is funny -- aside from giggles provoked by misfired jokes -- or romantic or dramatic. Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

Buried in the slow, talky, inanities that the two stars exchange are some potentially interesting ideas about female sexual self-assertion and male surrender, but neither the actors nor the filmmakers have any notion about how to explore them. Read the full review

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