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All in all, A Good Woman retains ye olde Wilde's zing, his sense of pace and place, but most of all his snappy one-liners, and it finds a new way to showcase them brilliantly.Full Review
The movie succeeds because screenwriter Howard Himelstein keeps Wilde's best lines intact and the actors speak the words with practiced confidence.Full Review
For the most part, Wilde's sophisticated, sardonic dialogue has been capably adapted by screenwriter Howard Himelstein and director Mike Barker.Full Review
A Good Woman is pretty to look at and fakes witty elegance passably, so consider it a diversion -- a movie that might have been in the Oscar race if the elements had jelled but has instead been properly hung out to dry in February.Full Review
Has a script that plays more like a period romancer studded with occasional Wilde-isms and gets uneven treatment from a mixed Anglo-American cast.Full Review

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