The film tracks the history of the country, but viewers may feel the documentarian inserts herself too much into the story. show more
The key to good, or at least effective, agitprop (and Oliver Stone and Michael Moore know this) is that, yes, it must simplify matters, but it necessitates canny presentation so that it may truly get into viewers' blood streams and rile them. show more
The repeated sight of people watching video monitors or communicating with others via laptops becomes a stilted, gimmicky affectation, and there are only so many times you can watch a camera panning and zooming over still photos before your tolerance for the Ken Burns effect reaches its limit. show more
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