Grindhouse Critic Reviews

Metascore®:

78 =
Based upon 15 Critic Reviews
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The New York Times | A.O. ScottAdd Critic to Favorites

The obsessive crosshatching of allusion, spoof and homage that gives Grindhouse its texture is the product of a highly refined generational sensibility.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

Though it could probably use an intermission, Grindhouse is three hours of mostly campy fun.Read the full review

Slate | Dana StevensAdd Critic to Favorites

You don't need to be an exploitation fanboy to appreciate the energy, imagination, and spirit with which Rodriguez and Tarantino pay homage to the cheapo cinema they love.Read the full review

Los Angeles Times | Dennis LimAdd Critic to Favorites

A fascinating exercise in genre reinvention, a showcase for two radically different approaches to homage.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The kind of movie where it's necessary to put aside pretensions and enjoy the product on its terms, with all the sexiness, violence, gore, and camp as part of the parcel. This is three-plus hours of gleeful-but-guilty escapism.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Value has been added as well -- the most thrilling car chase ever committed to film, a sequence that also shows, by cutting to the psychosexual chase, why fans embraced the tawdry genre in the first place.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

Like the best of its forebears, Grindhouse contains thrills to keep viewers in their seats, plus moments to think about on the ride home, which will probably seem unusually fraught with peril.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

If you were keeping score, it would be Quentin Tarantino 1, Robert Rodriguez 0.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

The Rodriguez segment is terrific; the Tarantino one long-winded and juvenile.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Grindhouse, like "Ed Wood" and "Boogie Nights," celebrates how certain low-grade entertainment, viewed in hindsight, looks different now than it did then, since we can see the ''innocence'' of its creation -- the handmade quality of it -- in a world not yet ruled by corporate technology.Read the full review

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