Half Past Dead Critic Reviews

Metascore®:

28 =
Based upon 10 Critic Reviews
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The Onion (A.V. Club) | Nathan RabinAdd Critic to Favorites

So audaciously bad it's good, which is about as close to quality as Seagal is likely to get these days.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Steven Seagal's acting style is so minimal that we can almost believe a script that tells us that his character's near-death experience left him flatlined for 22 minutes.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

Brilliantly named Half Past Dead -- or for Seagal pessimists: ''Totally Past His Prime.''Read the full review

Variety | Robert KoehlerAdd Critic to Favorites

In recent years, Steven Seagal has been steadily losing any firm standing as even a B-grade actioner icon, and by the genre's most basic standards, he now displays a visible fatigue and lack of interest that proves deadlier than any of his hero's skills.Read the full review

Entertainment Weekly | Bruce FrettsAdd Critic to Favorites

When Seagal's undercover FBI agent Sascha Petrosevitch waddles into the big house wearing a do-rag and a billowing blue jumpsuit, it's the funniest jailhouse-flick scene since Gene Wilder's white-boy strut in ''Stir Crazy.''Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

About as weak a movie as can be made without actively trying.Read the full review

The New York Times | A.O. ScottAdd Critic to Favorites

After several scenes of this tacky nonsense, you'll be wistful for the testosterone-charged wizardry of Jerry Bruckheimer productions, especially because Half Past Dead is like "The Rock" on a Wal-Mart budget. And the marked-down price tags are incredibly visible.Read the full review

Los Angeles Times | Manohla DargisAdd Critic to Favorites

Absent one original moment and bathed in de rigueur steel blue punctuated by sporadic bursts of flaming orange, the movie is notable only for its creative approach to Seagal's bulky gracelessness: Not since "Apocalypse Now" has a film gone to such lengths to hide what its star looks like.Read the full review

Washington Post | Michael O'SullivanAdd Critic to Favorites

Here, common sense flies out the window, along with the hail of bullets.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

It goes through the motions of an action thriller, but there is a deadness at its center, a feeling that no one connected with it loved what they were doing.Read the full review

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