Hancock Critic Reviews

Metascore®:

52 =
Based upon 15 Critic Reviews
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Boston Globe | Wesley MorrisAdd Critic to Favorites

Once the vulgar comedy dissipates, we're left with poorly photographed, bullet-riddled summer-action mayhem. The only thing drunker than Hancock is the editing and camerawork.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Hancock is a lot of fun, if perhaps a little top-heavy with stuff being destroyed. Smith makes the character more subtle than he has to be, more filled with self-doubt, more willing to learn.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Hancock can revel in schmuckery, of course, because you and I and cute kids and peaceful oldies worldwide know in advance that there's no way on Hollywood's green earth Will Smith will ever play someone seriously, dangerously unsavory.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

It's a strange feeling to see the summer's most promising premise self-destruct into something bizarre and unsatisfying, but that is the Hancock experience.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Sometimes funny, sometimes clever, and occasionally involving, but it's never brilliant and its edge is compromised by the neutering that accompanies the teen-friendly PG-13 rating.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Bateman doesn't make a false move, and a stellar Charlize Theron springs her own bolts from the blue as Ray's wife. As for Smith, he's on fire. There's nothing like a star shining on his highest beams. You follow him anywhere.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

More intelligent than most summer blockbusters and features at its center a thought-out and committed performance by Will Smith. But in the end it's merely ALMOST good.Read the full review

Slate | Dana StevensAdd Critic to Favorites

The climax, a multipart showdown in the corridors of a hospital, is unforgivably manipulative. What self-respecting director still cuts away to shots of a heartbeat monitor flat-lining? Hancock isn't the only underachiever on the premises--the talented Berg settles for far less than he should.Read the full review

The Hollywood Reporter | Stephen FarberAdd Critic to Favorites

The visual effects are stellar, but the true star is Smith, who again demonstrates acting chops as well as effortless charisma in a vehicle that's only occasionally worthy of his superhuman skills.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

Hancock makes for one unexpectedly satisfying and kinky addition to Hollywood's superhero chronicles. Touching and odd, laden with genuine twists and grounded by three appealing lead performances.Read the full review

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