Hollywoodland Critic Reviews

Metascore®:

63 =
Based upon 12 Critic Reviews
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Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

The chief frustration of this otherwise well-made, well-acted, well-heeled picture -- a movie classy in its artful modesty, with every detail of plot and period furnishings lovingly conceived, every lick of jazz-influenced score true to the times -- is that it is so very self-absorbedly graceful about something so very insular and...unremarkable.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The irony is that Affleck's battering at the hands of fame has prepped him beautifully to play Reeves.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Coulter is a TV veteran but a motion picture newcomer. His work here indicates he is someone to watch. The pacing is slow and deliberate, but the story never ceases to intrigue.Read the full review

The Onion (A.V. Club) | Nathan RabinAdd Critic to Favorites

Like Affleck's performance, Hollywoodland has its affecting moments. But generally it feels like an HBO original movie, where respectable but uninspired execution mars a fascinating subject and great cast.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

Hollywoodland explores an intriguing bit of Hollywood history, and through the strength of its performances keeps us engaged and entertained.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

This overly derivative motion picture thinks it is doing and saying more than it is. Instead, it ends up as little more than a reasonable facsimile of the real thing, despite a subtle and effective performance by Ben Affleck, of all people.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

First-time scripter Paul Bernbaum's framing story, designed to stir up suspicion that George Reeves was a murder victim rather than a suicide, unfortunately proves far less intriguing than does the melancholy tale of a limited actor reaching the end of the line during a transitional period in Hollywood.Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

And though brilliantly acted, it's not. For some reason, the director and the writer (Paul Bernbaum) have chosen an exceedingly awkward path into the materials. They break the narrative into two strands and play them off each other in cheap and easy ways for insubstantial effect.Read the full review

The Hollywood Reporter | Michael RechtshaffenAdd Critic to Favorites

Ultimately falls short of reaching the pleasingly pulpy heights of an "L.A. Confidential" or a "Chinatown" despite those obvious aspirations.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

The film, actually, is a little like Reeves himself: It starts promisingly and trails off into indistinctness and mystery.Read the full review

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