Hostage (2005) Critic Reviews

Metascore®:

50 =
Based upon 15 Critic Reviews
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Los Angeles Times | Kevin ThomasAdd Critic to Favorites

Made with energetic flair and no small dose of violence, mercifully handled with discretion, Hostage exemplifies taut, confident filmmaking.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The mechanics of the final showdown are unexpected and yet show an undeniable logic, and are sold by the acting skills of Willis and Pollak.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

My new theory is that Willis' own aesthetic soul is more old-world than he knows, and that he works best with directors who either are (Luc Besson) or might as well be (M. Night Shyamalan) European.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Hostage has suspense and momentum.Read the full review

The Hollywood Reporter | Michael RechtshaffenAdd Critic to Favorites

If Hostage looks a lot like a state-of-the-art French "policier" minus the pesky subtitles, the effect is purely intentional.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Hostage is really about sleek Bruce - buff, bald and clean-shaven - as he goes to town on two sets of assailants.Read the full review

Variety | Robert KoehlerAdd Critic to Favorites

What sends this initially tense thriller over the precipice is a plot scheme that never knows when enough is enough.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

It's a B-flick all the way, but it has no pretensions to the contrary, and that's some kind of refreshing.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

By the time the film escalates into a suitably ridiculous Grand Guignol finale, all connection to reality has been severed.Read the full review

Washington Post | Ann HornadayAdd Critic to Favorites

But by the time Willis's character saves this considerably long day, it's filmgoers who will no doubt feel like prisoners, as a movie that promises to be a taut nail-biter devolves into the kind of silly, overblown climax parodied so beautifully by Robert Altman in "The Player."Read the full review

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