House of D Critic Reviews

Metascore®:

42 =
Based upon 13 Critic Reviews
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Boston Globe | Wesley MorrisAdd Critic to Favorites

House of D, is like the kind of sticky greeting card you'd find on CBS some Sunday nights.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

House of D is the kind of movie that particularly makes me cringe, because it has such a shameless desire to please; like Uriah Heep, it bows and scrapes and wipes its sweaty palm on its trouser leg, and also like Uriah Heep, it privately thinks it is superior.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

An overly picaresque first feature written and directed by David Duchovny, who also co-stars.Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

A film that takes a steadfastly gentle look at some of life's harshest moments while not overlooking its joys, House of D deserves a chance to find an audience.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The film looks and feels authentic, but Duchovny has powered his undeniably personal journey with a counterfeit heart.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Though charming at times, just misses, due to a contrived story.Read the full review

The Hollywood Reporter | Frank ScheckAdd Critic to Favorites

David Duchovny delivers a clearly heartfelt but terminally mawkish and awkward directorial debut in House of D.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

The burden of the story, which is maudlin and entirely unbelievable, weighs down even the more credible performances.Read the full review

The Onion (A.V. Club) | Tasha RobinsonAdd Critic to Favorites

House Of D never feels honest, but when Duchovny consciously tries to score sentiment points, the strain is more than the film can handle.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

The movie tries to be both comical and touching, as befitting the coming-of-age genre. But it feels forced, derivative and sometimes sappily sentimental.Read the full review

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