House Of Yes Critic Reviews
Metascore®:
Based upon 8 Critic ReviewsHighest Rated
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The House of Yes is knowingly overripe, a kitsch melodrama that dares to make incest sexy.Read the full review
The House of Yes is what happens when a film takes the dysfunctional family melodrama to its farthest reaches. It's a bold, gutsy movie that's definitely not for everyone.Read the full review
In addition to its terrifically bratty performance by the epically bratty Posey, House of Yes contains some of the smarter (and smarter-assed) writing of the year.Read the full review
When the film was over I was not particularly pleased that I had seen it; it was mostly behavior and contrivance. While it was running, I was not bored.Read the full review
Director Mark Waters has done probably the best possible job translating the material to film, and the truly filmic moments work well, but with this dialogue-heavy material, it's like trying to translate Run-DMC lyrics into Old French.Read the full review
The House of Yes was adapted from a play by Wendy MacLeod. And the movie, with its brittle, outrageous dialogue has a shrill stagy feel. That would be fine, if the dialogue sustained the stylish crackle of a drawing-room comedy gone berserk, but there are many gaping holes between the funny moments.Read the full review
Stylized dialogue tends to play awkwardly onscreen -- we're conditioned to naturalistic conversation in films -- and Waters, who makes his feature directing debut with The House of Yes, fails to create an emotional tone or attitude to match the characters' goofy repartee.Read the full review
With its Rocky Horror meets Camelot aura, this little black movie reeks of self-satisfied smugness and pretentious perversity as only a Sundance Festival favorite can -- especially one that squanders the considerable quirky charms of indie-film darling Parker Posey. [10Oct1997 pg 04.D]Read the full review