House Of Yes Critic Reviews

Metascore®:

59 =
Based upon 8 Critic Reviews
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Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The House of Yes is knowingly overripe, a kitsch melodrama that dares to make incest sexy.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The House of Yes is what happens when a film takes the dysfunctional family melodrama to its farthest reaches. It's a bold, gutsy movie that's definitely not for everyone.Read the full review

Los Angeles Times | John AndersonAdd Critic to Favorites

In addition to its terrifically bratty performance by the epically bratty Posey, House of Yes contains some of the smarter (and smarter-assed) writing of the year.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

When the film was over I was not particularly pleased that I had seen it; it was mostly behavior and contrivance. While it was running, I was not bored.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

Director Mark Waters has done probably the best possible job translating the material to film, and the truly filmic moments work well, but with this dialogue-heavy material, it's like trying to translate Run-DMC lyrics into Old French.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

The House of Yes was adapted from a play by Wendy MacLeod. And the movie, with its brittle, outrageous dialogue has a shrill stagy feel. That would be fine, if the dialogue sustained the stylish crackle of a drawing-room comedy gone berserk, but there are many gaping holes between the funny moments.Read the full review

San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

Stylized dialogue tends to play awkwardly onscreen -- we're conditioned to naturalistic conversation in films -- and Waters, who makes his feature directing debut with The House of Yes, fails to create an emotional tone or attitude to match the characters' goofy repartee.Read the full review

USA Today | Susan WloszczynaAdd Critic to Favorites

With its Rocky Horror meets Camelot aura, this little black movie reeks of self-satisfied smugness and pretentious perversity as only a Sundance Festival favorite can -- especially one that squanders the considerable quirky charms of indie-film darling Parker Posey. [10Oct1997 pg 04.D]Read the full review

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