Hudson Hawk (1991) Critic Reviews

Metascore®:

22 =
Based upon 10 Critic Reviews
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Washington Post | Hal HinsonAdd Critic to Favorites

It's an action picture packed dense with the wit of a screwball comedy. And while that may not be a first, it's so bizarrely inventive that being first seems not nearly as important as being best.Read the full review

USA Today | Susan WloszczynaAdd Critic to Favorites

It ends up choking on a never-ending stream of inept gags... A worst-case scenario of wackiness gone out of whack. [24 May 1991]Read the full review

Wall Street Journal | Julie SalamonAdd Critic to Favorites

Despite all of its failures of wit, sense, and pace, the film does most effectively flaunt the millions spent on it. The inane action takes place in splendiferous settings. [23 May 1991]Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Just awful… There is probably not one interrupted 60-second stretch in which a line of dialogue doesn't clunk, an action doesn't ring false or an irritating plot turn doesn't present itself. [25 May 1991]Read the full review

Variety | Staff (Not Credited)Add Critic to Favorites

A relentlessly annoying clay duck that crash-lands in a sea of wretched excess and silliness.Read the full review

Washington Post | Joe BrownAdd Critic to Favorites

Merely airheaded where it should be lighthearted, Hudson Hawk offers a klutzy, charmless hero, and wallows dully in limp slapstick and lowest common denominator crudeness.Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

A colossally sour and ill-conceived misfire.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Even Willis seems a bit bewildered at times, as if asking himself how he managed to get into such a mess. [24 May 1991]Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

A movie this unspeakably awful can make an audience a little crazy. You want to throw things, yell at the actors, beg them to stop. But the film drags on, digging horrible memories into the brain -- like Bruce Willis and Danny Aiello's singing.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

This may be the only would-be blockbuster that's a sprawling, dissociated mess on purpose. It's a perverse landmark: the first postmodern Hollywood disaster.Read the full review

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