I Served the King of England Critic Reviews

Metascore®:

74 =
Based upon 11 Critic Reviews
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Washington Post | Ann HornadayAdd Critic to Favorites

Pirouettes along a beguiling but treacherous line between horror and whimsy.Read the full review

Variety | Eddie CockrellAdd Critic to Favorites

A virtual primer on the unique mixture of self-deprecating dark humor and personal tragedy that has been the Czech cinema's stock-in-trade since their celebrated 1960s New Wave.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

The movie's main appeal is its special comic flavor -- a zesty fusion of picaresque adventure, absurdist whimsy and Chaplinesque grace.Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

The new film is so leisurely paced and overly long that what means to be at once charming yet darkly satirical lapses into tedium and barely comes alive.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

This is a dark story as well as a frothy one. But the bubble of absurdist self-absorption in which Menzel places this specimen of man-child is exquisite.Read the full review

The Hollywood Reporter | Ray BennettAdd Critic to Favorites

It is a sumptuously told tale of childlike wonder in the face of darkest corruption and war, mixing high comedy, surreal sequences and genuine drama viewed from a wise, jaundiced perspective.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

It's a film filled with wicked satire and sex both joyful and pitiful.Read the full review

San Francisco Chronicle | Ruthe SteinAdd Critic to Favorites

Viewers will be swept away by the beauty of individual moments and by Ivan Barnev's extraordinary performance.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

I Served The King Of England views diabolical events from the sidelines, something like "The Remains Of The Day" reworked as an absurdist comedy.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

The performance of Mr. Barnev, who has the poker face and agility of a silent clown, defines the style of a film whose timing and physical comedy look back to 1920s slapstick.Read the full review

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