In the Valley of Elah Critic Reviews

Metascore®:

72 =
Based upon 14 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Paul Haggis' In the Valley of Elah is built on Tommy Lee Jones' persona, and that is why it works so well. The same material could have been banal or routine with an actor trying to be "earnest" and "sincere."Read the full review

San Francisco Chronicle | Tamara StrausAdd Critic to Favorites

For the most part it is an effective, disturbing and - a rarity for Haggis - subtle exploration of the stateside war story.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

It's the first Hollywood Iraq movie to remind me of a Vietnam film like Coming Home, and it does more than disturb. It scalds, moves, and heals.Read the full review

The Hollywood Reporter | Michael RechtshaffenAdd Critic to Favorites

A deeply reflective, quietly powerful work that is as timely as it is moving.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

A rare blend of emotional content and intelligent material that makes it simultaneously gut-wrenching and thought-provoking.Read the full review

The Onion (A.V. Club) | Nathan RabinAdd Critic to Favorites

Where "Crash" relentlessly pushed every conflict to a fever pitch, Elah takes its cues from Tommy Lee Jones' low-simmering lead performance.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The haunting, heart-piercing Elah isn't perfect. It's something better: essential.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

Paul Haggis switches from the problem of racism to the problem of Iraq. The war is a better fit. None of the exasperating guilt on display in "Crash" has made it into In the Valley of Elah, a solidly made genre movie: the Army mystery.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The last scene of In the Valley of Elah may be the most ridiculously ham-fisted and over-the-top moment in all of 2007’s supposed prestige cinema.Read the full review

The New York Times | A.O. ScottAdd Critic to Favorites

However you judge the movie’s politics, and whatever its flaws, there is something inarguable, something irreducibly honest and right, about Mr. Jones’s performance.Read the full review

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