Indiana Jones and the Kingdom of the Crystal Skull Critic Reviews
Metascore®:
Based upon 15 Critic Reviews- Highest Rated
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Publications (A-Z)
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- Critics (A-Z)
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- Favorite Critics
Merely grand old-school fun - a rollicking class reunion that stands as the second best entry in the venerable series.Read the full review
I can say that if you liked the other Indiana Jones movies, you will like this one, and that if you did not, there is no talking to you.Read the full review
Harrison Ford? Terrific -- and re-energized.Read the full review
Though the film stars a relaxed and capable Harrison Ford as everyone's favorite intrepid archaeologist and boasts supporting players ranging from Cate Blanchett as a superb villainess to Shia LaBeouf as the inevitable youngster, the real heroes of this film are director Steven Spielberg and the veritable army of superb technicians who turn the film's numerous stunts and special effects into trains that insist on running on time.Read the full review
Simply isn't a very good motion picture.Read the full review
Audiences looking for emotional resonance in Indy 4 are doomed to the temple of disappointment. Spielberg and Lucas aren't upping their creative game -- they're taking care of business.Read the full review
The movie moves. It has action sequences that are so enormous that they won't just wow audiences, but rock them back in their seats and make them laugh at the audacity of it all.Read the full review
Even the most enthusiastic future Indy scholar would have to concede that the movie's habit of quoting from venerable Hollywood antiquities sometimes has the unfortunate effect of reminding the viewer that those movies were better.Read the full review
Director Steven Spielberg seems intent on celebrating his entire early career here. Whatever the story there is, a vague journey to return a spectacular archeological find to its rightful home -- an unusual goal of the old grave-robber, you must admit -- gets swamped in a sea of stunts and CGI that are relentless as the scenes and character relationships are charmless.Read the full review
There's plenty of frantic energy here, lots of noise and money too, but what's absent is any sense of rediscovery, the kind that's necessary whenever a filmmaker dusts off an old formula or a genre standard.Read the full review