Inland Empire Critic Reviews

Metascore®:

66 =
Based upon 9 Critic Reviews
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The New York Times | Manohla DargisAdd Critic to Favorites

One of the few films I've seen this year that deserves to be called art. Dark as pitch, as noir, as hate, by turns beautiful and ugly, funny and horrifying, the film is also as cracked as Mad magazine, though generally more difficult to parse.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

Inland Empire may be the most aggressively surreal feature film ever released to movie theaters in this country, and it's possibly close to the movie David Lynch carries around in his head.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

My advice, in the face of such hallucinatory brilliance, is that you hang on.Read the full review

San Francisco Chronicle | Walter AddiegoAdd Critic to Favorites

The film is dazzling and bewildering in equal measure.Read the full review

Washington Post | Ann HornadayAdd Critic to Favorites

If anything, it's worth watching as yet another example of Lynch's extraordinary collaboration with Dern. It may be overstating things to call her performance heroic, but it's nothing if not brave, as she dares to embody Lynch's most brutal impressions of Hollywood -- not as a dream factory, but as the place where dreams come to die.Read the full review

Slate | Dana StevensAdd Critic to Favorites

Ultimately, Inland Empire left me angry at David Lynch, but it was the kind of intimate anger you feel when disappointed by someone you love. If you can tolerate its lack of narrative cohesion, Lynch's film will continue to reward you with visual and auditory surprises right up till the end.Read the full review

Variety | Jay WeissbergAdd Critic to Favorites

Inland Empire may mesmerize those for whom the helmer can do no wrong, but the unconvinced and the occasional admirer will find it dull as dishwater and equally murky.Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

Shot on grainy, often blown-out and distorted consumer-grade video, scored to a feedback distortion-heavy soundtrack that will be familiar to fans and tinnitus sufferers alike, and clocking in at one merciful minute under three hours, Lynch's much-anticipated follow-up to "Mulholland Drive" signals a hale swan-dive off the deep end, away from any pretense of narrative logic and into the purer realm of unconscious free association. I found myself pining for "The Elephant Man," but that's just me.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Inland Empire is so locked up in David Lynch's brain that it never burrows its way into ours.Read the full review

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