Jarhead Critic Reviews

Metascore®:

66 =
Based upon 15 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

It is not often that a movie catches exactly what it was like to be this person in this place at this time, but Jarhead does.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Jarhead is about how the experience of being in the military fundamentally changes an individual. In this case, the focus isn't about the madness of slaughter in the jungle, but the madness of inaction in the desert.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Jarhead isn't overtly political, yet by evoking the almost surreal futility of men whose lust for victory through action is dashed, at every turn, by the tactics, terrain, and morality of the war they're in, it sets up a powerfully resonant echo of the one we're in today.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

What we're left with is solid if not exceptional, though it's good to see Mendes expanding as a filmmaker.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

A harsh and thoroughly unromantic examination of the scarring effects of war.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Even when the script slips into sermonizing -- a Swoff voice-over informs us that we're all still "in the desert" -- Mendes keeps invading us with emotions. The jolt of Jarhead is undeniable, and it comes when you least expect it.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

Screenwriter William Broyles, Jr., a former Vietnam pilot and "Newsweek" editor, connects reasonably well with the material, but "American Beauty" director Sam Mendes has a tendency to smooth out the rough edges, and the film goes flat as month-old soda.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

All writers are entitled to tell the story of their own war, whether it's on the battlefield, in their head, or -- as is usually the case -- somewhere in between. Like it or not, Anthony Swofford did just that. Mendes, by contrast, tells the story of a Hollywood war, and it's simply not the news we can use.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Part absurdist drama, part personal observational commentary and part hormonal explosion, all seen through the filter of previous war pics, Sam Mendes' third feature has numerous arresting moments but never achieves a confident, consistent or sufficiently audacious tone.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

Jarhead refuses to engage in its own point of view toward events it depicts. So the film feels empty and tentative, uncertain of what if anything these events add up to.Read the full review

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