Jude Critic Reviews

Metascore®:

68 =
Based upon 11 Critic Reviews
See all Jude reviews at
Sorted by:
Boston Globe | Jay CarrAdd Critic to Favorites

Jude is a modernized version of Hardy, but a handsome, fluid and red-blooded one that has no difficulty finding correlatives to the prejudice and hatred of wit and spirit against which Hardy, in his gimlet-eyed way, so passionately attacked. [25 Oct 1996]Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Together [Christopher Eccleston, Rachel Griffiths and Kate Winslet] stake a difficult story and make it into a haunting film.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

It's worth seeing this stark adaptation of Thomas Hardy's Jude the Obscure just for the extraordinary performance of Christopher Eccleston as Jude Fawley, the stonemason in turn-of-the-century England whose dreams of university scholarship are thwarted. And British telly director Michael Winterbottom sustains a fine atmosphere of dank misery.Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

Michael Winterbottom's handsome, uncompromising film. Jude glows with Eccleston's and Winslet's performances and with those in supporting roles.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

This is a film of tremendous scope and emotional depth that uncovers the soul of a novel and brings it to life on the screen.Read the full review

San Francisco Chronicle | Peter StackAdd Critic to Favorites

Jude is knockout Hardy, filled with stormy visual poetry and accompanied by a gorgeous yet simple score.Read the full review

The New York Times | Lawrence Van GelderAdd Critic to Favorites

With Christopher Eccleston as Jude and Kate Winslet of ''Sense and Sensibility'' as his great love, Sue Bridehead, and with convincing evocations of 19th-century England from locations in Edinburgh and the north of England, Jude remains a handsome if gravely flawed film.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

The problem here isn't grimness but a failure to make grimness wrench the heart. [18 Oct 1996]Read the full review

Variety | Derek ElleyAdd Critic to Favorites

Technically, pic is top-drawer, with restless, fluid cutting by Trevor Waite that adds to the unstarchy look, and a copious musical score by Adrian Johnston that gives a separate "sound" to the many locations (a folksy drone for Marygreen, High Baroque music for academic Christminster, and so on).Read the full review

Washington Post | Lloyd RoseAdd Critic to Favorites

Director Michael Winterbottom languidly unspools the story; nothing seems to lead to anything.Read the full review

Track Your Favorite Critics | Start Now