Kicking And Screaming Critic Reviews
Metascore®:
Based upon 9 Critic ReviewsHighest Rated
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The final affirmation of this romance is really an affirmation of Baumbach's talent: that a young filmmaker fixated on the solipsistic rituals of guyhood understands the hearts of women, too.Read the full review
As a writer, Baumbach loves smart, glib talk, and he has a sharp ear for fast-paced, overlapping dialogue; as a director, though, he prefers long takes that allow his characters to work out their feelings.Read the full review
Baumbach surely does make these characters, all of whom are impeccably acted, absolutely real, but at 25 he may be too close to the material to achieve the detachment from which irony and meaning flow.Read the full review
Kicking and Screaming doesn't have much of a plot, but of course it wouldn't; this is a movie about characters waiting for their plots to begin.Read the full review
Scenes move from hurt to resigned laughter and ring poignantly true. The heroically unfashionable result is a minor but distinct pleasure.Read the full review
The director is more successful in setting an easy, low-key tone, with nicely framed shots and subtle camera movements downplaying the script's pretensions.Read the full review
The film succeeds in finding something sweetly romantic and visually fresh in Grover's flashback memories of Jane, along with allowing Grover plenty of room for wisecracks.Read the full review
We've seen this story so many times that it's starting to wear thin. In many ways, Kicking and Screaming is mildly enjoyable, but all it really does is go over old ground with new characters.Read the full review
Moviegoers of rarefied sensibilities will easily identify this anti-captain-of-industry as a "typical Eric Stoltz role," just as moviegoers of extremely rarefied sensibilities will pick up on Kicking's "typical Chris Eigeman role." [23 Oct 1995, Pg.06.D]Read the full review