Kill Bill Vol. 1 Critic Reviews

Metascore®:

75 =
Based upon 16 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Kill Bill: Volume 1 shows Quentin Tarantino so effortlessly and brilliantly in command of his technique that he reminds me of a virtuoso violinist racing through "Flight of the Bumble Bee" -- or maybe an accordion prodigy setting a speed record for "Lady of Spain." Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

The worst thing about the first Quentin Tarantino picture in five years is that after 93 minutes of some of the most luscious violence and spellbinding storytelling you're likely to see this year, Kill Bill ends. Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

Delivered with such high panache and brio, it's mesmerizing. Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The film may be bloody, but it's also bloody gorgeous: a grandly fetishized epic of cinematic aggression. It's a tale of vengeance that hinges on Tarantino's love of ferocity as spectacle -- his immersion in action and exploitation, his addiction to the jazzy catharsis of junk-film kicks. Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

Reconfirms Tarantino's status as the master of pop cinema and puts a sense of excitement into the year. He has matched, if not eclipsed, the power and scope of 1994's "Pulp Fiction," though not its human charm.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Bill re-establishes that Tarantino ranks with "Boogie Nights'" Paul Thomas Anderson as one of the few Hollywood filmmakers of the past 25 years with the stuff to win a lifetime achievement award. Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

In Kill Bill, Tarantino brings delicious sin back to movies -- the thrill you get from something down, dirty and dangerous. Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

It remains to be seen whether Kill Bill is merely a skilled slice of juvenilia or a pastiche with real emotional and thematic underpinnings, but based on Tarantino's storytelling command in the first half, it's worth giving him the benefit of the doubt. Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

Mr. Tarantino is an irrepressible showoff, recklessly flaunting his formal skills as a choreographer of high-concept violence, but he is also an unabashed cinephile, and the sincerity of his enthusiasm gives this messy, uneven spectacle an odd, feverish integrity. Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

A strange, fun and densely textured work that gets better as it goes along.Read the full review

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