Lady Vengeance Critic Reviews

Metascore®:

75 =
Based upon 9 Critic Reviews
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San Francisco Chronicle | G. Allen JohnsonAdd Critic to Favorites

Unlike the previous two installments, Lady Vengeance generates on odd feeling: hope.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

"Old Boy's" vivid star Choi Min-sik plays a terrible schoolteacher -- yet another damned soul in Park's inflammatory, inimitable movie inventory of hell on earth.Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

What you get for your entertainment dollar in Lady Vengeance is Korean director Chan-wook Park's brilliantly orchestrated story of how Lee Geum-ja (Lee Young-ae ) got her groove back.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

For most of Lady Vengeance, Park is playing with us. But the jokey atmosphere dissipates and the fun turns inside out in the movie's last act.Read the full review

The Onion (A.V. Club) | Tasha RobinsonAdd Critic to Favorites

It takes patience and industry to make sense of the first half, intestinal fortitude to deal with the second, and a little flexibility to make the transition from one to the other. But the whole process adds up to a fairly impressive two-stage thrill ride, like rafting through choppy waters, then plummeting over a waterfall into a dark and deadly pit.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Lady Vengeance contains violence (some extreme), but it is not an action film. It is deliberately paced, allowing the audience to have time to reflect upon what's happening. And the comedy is of the gallows variety.Read the full review

Variety | Derek ElleyAdd Critic to Favorites

A wildly inventive, highly cinematic director's showcase that looks likely, at least in the West, to enthuse fans of Asian -- especially Korean -- genre movies more than general auds.Read the full review

The Hollywood Reporter | Frank ScheckAdd Critic to Favorites

Mixes comedy and melodrama to a typically baroque degree. Like his "Oldboy" and "Sympathy for Mr. Vengeance," the film displays an audacious visual and narrative style, often sacrificing credibility and coherence along the way. But there is no denying its originality.Read the full review

The New York Times | Nathan LeeAdd Critic to Favorites

A convoluted hodge-podge of time frames, subplots and bit player back stories.Read the full review

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