Le Divorce Critic Reviews

Metascore®:

60 =
Based upon 15 Critic Reviews
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Washington Post | Desson ThomsonAdd Critic to Favorites

A relaxed delight, a series of delicately tongue-in-cheek musings about the clash between American and French cultures.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

While there are too many characters in too much story for the movie to really involve us, it's amusing as a series of sketches about how the French think they are a funny race (or the Americans, take your choice).Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Acted with relish by a note-perfect cast -- a romantic comedy of true sophistication. There's a sting in every laugh. Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

This present-day Paris of Le Divorce is smartly shot and costumed, and the whole affair is breezy and uncharacteristically insouciant, given the reserved nature of the folks responsible for it.Read the full review

San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

Captures the effervescence and playfulness of Johnson's novel, even as it attempts to shoehorn a tangle of characters and situations.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

One minor element in Le Divorce, the sale of a disputed and possibly valuable painting that once belonged to Watts' family, welcomes scene-stealing bits by Bebe Neuwirth and Stephen Fry as appraisers with clashing motives. Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

Utterly charming and not without those subtle insights into character and culture that mark their (Merchant Ivory) best films. Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

A tasty bonbon, initially appealing but not terribly satisfying. Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Characters are left half-developed or undeveloped so that as much plot as possible can be crammed into two hours. The result, while not wholly unsatisfying, will disappoint those used to the cinematic richness we have come to expect from this collaboration. Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

A thin and unsatisfying concoction that somehow manages to make one of the richest and most durable sources of culture-clash comedy into an occasion for dullness. Read the full review

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