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Good has a stagy fustiness, but it's worth seeing for Mortensen, who makes this study of a "good German" look creepily contemporary.Full Review
Paced deliberately in a way that reinforces the tragedy of evil flourishing when good men do nothing, Good may find boxoffice returns slow to build but the film's aim is true and patient audiences will be well rewarded.Full Review
It's an old-fashioned hoke-fest, in which the otherness of Germany is connoted by having everyone speak with a British accent.Full Review
Though the film opens with an intriguing burnished look, it bogs down about halfway through with talkiness and uneven pacing.Full Review
Viggo Mortensen looks the part but never brings it home with great conviction or passion. I never believed in the character and that greatly diminished the film's ability to argue its ethical case.Full Review
