Leatherheads Critic Reviews
Metascore®:
Based upon 14 Critic Reviews- Highest Rated
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What is harder to comprehend is how Mr. Clooney turned out such a sloppy, haphazard and tonally incoherent piece of work. Leatherheads lurches hectically between Coen brothers-style pastiche and John Saylesian didacticism, while Mr. Clooney works his brow and his jaw and waits in vain for his charm to kick in and save the day.Read the full review
Leatherheads proceeds agreeably, hitting occasional high notes when it isn't getting bogged down in forced slapstick hi-jinks.Read the full review
More amiable than witty and relying heavily on the likability and charm of its lead actors, Leatherheads scores more points as a retro romantic comedy than a football saga.Read the full review
Better than a finger in your eye. It's a perfectly passable, if instantly forgettable, date movie, lushly shot by Newton Thomas Sigel and with a script intelligently versed in American classics like "His Girl Friday" and "Hail the Conquering Hero."Read the full review
Clooney and Zellweger play off each other perfectly, delivering their dialogue with the rhythm of a well-choreographed dance and falling in love in the time-honored tradition of '40s romantic comedies.Read the full review
There's a jaunty score by Randy Newman, and Clooney, as always, has charm to burn, but here, he's off his game.Read the full review
There's a flatness about the whole enterprise -- like drinking champagne, but from an old house slipper. Re: his performance, Clooney is terrific. His comparison to old movie stars is not just hype. He really does possess the combination of supreme confidence and humility that has been the hallmark of the biggest male Hollywood stars.Read the full review
Too much of Leatherheads feels like studied motions, and its charms never plaster over a story that takes forever to get going, and doesn't go too far once it does.Read the full review
Clooney, the film's director and star, can't make up his mind how to approach the story. One minute it's a romantic comedy. Then it switches to slapstick, then to screwball comedy before sliding into Frank Capra territory.Read the full review
Reproducing a period-piece screwball comedy for a modern audience turns out to be one playful, self-deprecating wink too many for the star, who also directed Leatherheads.Read the full review