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The movie, which has the slightly glum perversity of early Chabrol, is a dream of betrayal, with the squirmiest attack-of-nature tableau since Willard.Full Review
By the end, you may not know whether you've seen a ghost story or a story of delusional obsession, but you'll have had a great time.Full Review
The acting is serviceable and primarily of the stare-until-you're-uncomfortable variety, although Rampling is much more than that: She's a classic screen temptress with the aura of a melancholy spider.Full Review
Like Michael Haneke's "Cach," this effectively creepy little customer from Dominik Moll (With a Friend Like Harry) fires yet another shot across the bows of French bourgeois complacency, while throwing in a wink and a nudge about the perils of surveillance.Full Review
The acting is serviceable and primarily of the stare-until-you're-uncomfortable variety, although Rampling is much more than that: She's a classic screen temptress with the aura of a melancholy spider.Full Review
