Lethal Weapon Critic Reviews

Metascore®:

75 =
Based upon 8 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

In a movie with the energy of this one, we're exhilarated by the sheer freedom of movement; the violence becomes surrealistic and less important than the movie's underlying energy level.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

Lethal Weapon opens with a shot of Mel Gibson in his birthday suit and just gets better. Likewise we meet costar Danny Glover in the bathtub, fĂȘted by his family on his 50th birthday. This endearing double exposure introduces us to the vulnerabilities of these superduper heroes, an odd couple of cops who mature into friends as they quell crime.Read the full review

Washington Post | Richard HarringtonAdd Critic to Favorites

After watching Gibson and Glover grow accustomed to each other, develop trust and confidence in each other and charge bullheadedly into dangerous situations, you can't help but hope there's a "Lethal Weapon II." It would be one of the few times a sequel would make sense and dollars.Read the full review

The New York Times | Janet MaslinAdd Critic to Favorites

The film is all fast action, noisy stunts and huge, often unflattering close-ups, but it packs an undeniable wallop.Read the full review

Variety | Staff (Not Credited)Add Critic to Favorites

Lethal Weapon is a film teetering on the brink of absurdity when it gets serious, but thanks to its unrelenting energy and insistent drive, it never quite falls.Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

The skies are thick with whizzing bullets and strings being pulled by Shane Black's crude script and Richard Donner's cement-mixer direction. Predictably, the chicks-and-ammo stuff is punctuated by TV cop show repartee. [6 Mar 1987, p.36]Read the full review

Wall Street Journal | Julie SalamonAdd Critic to Favorites

Lethal Weapon is vulgar, violent and predictable. Yet, in some outbreak of id, I got caught up in the shenanigans of Danny Glover and Mel Gibson as a mismatched cop team. Mr. Glover is more than solid and Mr. Gibson has added a kind of raw humor to his repertoire that is extremely sexy. [5 Mar 1987, p.1]Read the full review

Los Angeles Times | Michael WilmingtonAdd Critic to Favorites

At bottom, Lethal Weapon isn't much. It's a big, shallow, flashy, buddy-buddy cop thriller; it attacks you like a stereophonic steamroller, flattening everything behind it. Snatches of "Hustle" "Magnum Force" and "48 HRS." float above this plot like scum on a polluted lake, and the holes in logic and mindless climax are (or should be) embarrassing. [6 Mar 1987, p.4]Read the full review

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