Lock Stock and Two Smoking Barrels Critic Reviews

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The Onion (A.V. Club) | Joshua KleinAdd Critic to Favorites

The acting, mostly by a bunch of unknowns, is equally fresh and funny, and Ritchie keeps the movie moving faster than you can say, "bludgeoned to death by a 15-inch black rubber dildo."Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Dark, dangerous and a great deal of wicked, amoral fun. A film that manages to be as clever, playful and mock violent as its title, Lock, Stock was a major hit in its native Britain and its cheeky tone, simultaneously calculated and off the cuff, is as hip as anyone could want. [5 Mar 1999]Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

A dynamite bundle from British writer-director Guy Ritchie. Even when the accents are as indecipherable as the plot, Ritchie keeps the action percolating and the humor on high.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

It's a superior thriller made with the guts and gusto that too many recycled entries into the genre fail to exhibit.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

A special weapon unto itself. Spring-loaded with cockney esprit, it peppers its audience with aggressive, sarcastic grapeshot. That's English for "fun," by the way.Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

A considerable kick, though it would have helped if one of the boys had wiped off the lens of the camera once in a while.Read the full review

San Francisco Chronicle | Bob GrahamAdd Critic to Favorites

If the dialect is hard to comprehend, that soon becomes part of the joke. It's unlikely that even the British audiences who made Lock, Stock a big hit got it all.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

[It's] like Tarantino crossed with the Marx Brothers, if Groucho had been into chopping off fingers...Fun, in a slapdash way; it has an exuberance, and in a time when movies follow formulas like zombies, it's alive.Read the full review

Variety | Derek ElleyAdd Critic to Favorites

Though Ritchie’s screenplay scores a 10 for sheer complexity and cleverness, it rates much lower down the scale for comprehensibility and audience involvement.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

The film's lures, while undeniable, are synthetic, and we never do learn what fuels all the greed besides pints of beer.Read the full review

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