Look Who's Talking Critic Reviews

Metascore®:

51 =
Based upon 10 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Look Who's Talking is full of good feeling, and director Amy Heckerling finds a light touch for her lightweight material.Read the full review

Los Angeles Times | Chris WillmanAdd Critic to Favorites

The movie but, rather surprisingly, given the gimmicky premise, it's not gag-me-with-a-pacifier cute nearly as often as it is genuinely charming. [13 Oct 1989, p.12]Read the full review

Washington Post | Roger PiantadosiAdd Critic to Favorites

Heckerling's central hokum is definitely silly, based on the notion that Mikey (and all babies, in fact) has somewhat adult, slightly cynical thoughts on everything that goes on around him, from conception to end credits -- and that these thoughts and embryonic wisecracks and creative interpretations are heard only by the audience via the aptly cast voice of overgrown kid Willis.Read the full review

San Francisco Chronicle | Peter StackAdd Critic to Favorites

Look Who's Talking plays baby-picture cute almost beyond the limits of the tolerable, but it has enough spark and intelligence to be a very likable, occasionally riotous romantic comedy. [13 Oct 1989, p.E1]Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

Before long, it runs out of steam, playing like the pilot for a TV sitcom called "Baby Knows Best." [13 Oct 1989, p.37]Read the full review

Washington Post | Hal HinsonAdd Critic to Favorites

A lot of this stuff is irresistible. In the early going especially, the movie's infantilism is snappy and surprising. But this is a great idea for a sketch, not a feature, and if Heckerling had resisted padding it out, it might have made a brilliant short. A comedy can ride only so far on high concept. It has to deliver the jokes, and this one doesn't.Read the full review

USA Today | Susan WloszczynaAdd Critic to Favorites

Heckerling stoops to the obvious at times and there are two car chases too many. But Look Who's Talking never insults the intelligence of adults or babies, and that's quite a feat for any comedy. [13 Oct 1989, p.4D]Read the full review

The New York Times | Vincent CanbyAdd Critic to Favorites

Cute is the operative word for the movie, which stars some good actors doing material that is not super.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

This flabby comedy deserves only one thing: to fall on its fat one.Read the full review

Variety | Staff (Not Credited)Add Critic to Favorites

Like a standup comic pouring 'flopsweat', this ill-conceived comedy about an infant whose thoughts are given voice by actor Bruce Willis palpitates with desperation.Read the full review

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