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Critic Reviews
The upside and downside of surveillance cameras are explored in ways both funny and sad in writer-director Adam Rifkin's imaginative, ultimately disturbing ode to high-tech voyeurism.Full Review
Surprisingly compelling, if not up to dealing with the larger political issues it raises.Full Review
Look isn't processing, critiquing, or even warning; in the end, it's just recording.Full Review
With its emphasis on its interweaving stories, the movie offers no commentary on the phenomenon of increasingly pried-apart privacy, positive or negative. Not that Look needs to be political, or even particularly deep, but that nonexamination, coupled with lack of real insight into the characters, leaves one sensing an opportunity missed.Full Review
Conceit often stretches -- and breaks -- the limits of what the tales can handle, though the implication of viewers as voyeurs gives pic a subversive edge.Full Review
